Mrs Pepperpot Stories
Alf Proysen
Book summary
Expect a collection of short adventures built around Mrs Pepperpot’s sudden changes in size. The situations include a crafty fox, a monstrous mousetrap and enormous food.
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Alf Proysen
Expect a collection of short adventures built around Mrs Pepperpot’s sudden changes in size. The situations include a crafty fox, a monstrous mousetrap and enormous food.
Roald Dahl
A comic animal adventure driven by clever schemes and escalating trouble. Mr Fox’s efforts to feed his family widen into a rescue for other hungry animals.
Brian Selznick
Expect an ambitious illustrated adventure in which two sibling seeds face separation, danger and uncertainty while learning about Earth’s history and living systems. Its emotional centre is family loyalty, alongside a sustained interest in survival, connection and the natural world.
Jon Scieszka
A lively, mischievous retelling of a familiar fairy tale, told by the wolf himself. Its central pleasure is uncertainty: readers must weigh his explanations rather than simply accept the version they already know.
Betty G. Birney
This is a child-centred school story told from a hamster’s viewpoint. Its appeal lies in observing pupils and families through Humphrey’s perspective, with plans to address problems and a generally gentle tone.
Zanib Mian
A lively school-and-family story about handling change, friendship and unfair treatment through humour and imagination. Omar’s Muslim identity is part of everyday life, not a separate lesson.
A lively fantasy quest with a determined heroine, comic creatures and a school setting. Bronte’s pursuit of knighthood challenges traditional expectations while the story explores courage, responsibility and standing by others.
Andrea Wang and Jason Chin
A family roadside stop becomes a meeting point between a child's embarrassment and her parents' difficult memories. Watercress offers a compact story about family history, migration, hardship and a growing understanding between generations.
Berlie Doherty
A warm, quietly observant set of linked stories about friendship across generations, loneliness after moving, and animals needing care. Its emotional force comes from vulnerability balanced by companionship and hopeful outcomes.
Steven Butler
Expect a playful fantasy adventure centred on an unusual hotel, magical visitors and comic world-building. The story appears designed for momentum and imaginative enjoyment, with short chapters, action and humour rather than a complex plot.
Brian Gordon
This is a comic school adventure about embarrassment, reputation and the wish to become popular. Dante’s supernatural surroundings, friendship plots and illustrated presentation offer energetic humour alongside questions about confidence and belonging.
Maurice Sendak
A compact, imaginative fantasy about a child’s anger and imaginative escape. Max’s journey towards and away from the Wild Things gives the book energetic movement, while his return home brings the story back to family.
Katya Balen
A lively Thames-set fantasy about three friends whose mudlarking leads to an underwater adventure. Expect imaginative world-building, comic eccentricity and an active quest rather than a quiet, realistic story.
Jill Tomlinson
A gentle, episodic story about meeting fear with curiosity. Plop’s conversations introduce several ways of understanding darkness, alongside owl facts and moments of comic mishap as he learns to manage a new experience.
Anthony Browne
A thoughtful, visually rich story about how the same encounter can look different from different standpoints. It offers emotional and social complexity without relying on a single narrator’s version of events.
Adam Blade
Expect a quest-led fantasy centred on bravery, friendship and teamwork. Magical creatures create danger, while the conflict is framed as a struggle against an evil wizard’s spell rather than realistic wrongdoing.
Tom McLaughlin
This is a comic political adventure about an ordinary boy whose public speech propels him into national leadership. Its appeal comes from absurd ideas, fast-changing circumstances and the contrast between childhood imagination and adult political power.
Janet Ahlberg
A tense adventure built around a child’s improvised storytelling: Antonio is held by outlaws, then turns their demand for a story into a possible route towards escape.
Astrid Lindgren
Expect anarchic humour, imaginative adventures and a central character who challenges adult authority. Pippi’s friendships, confidence and physical strength drive the fun, while the episodic structure offers distinct comic situations rather than one tightly unfolding plot.
Clotilde Perrin
Expect a visually rich, participatory chase through Three Little Pigs, Hansel and Gretel, and Sleeping Beauty settings. The child hides behind layered flaps and cut-outs before confronting the monsters rather than continuing to run.
Kenneth Grahame
Expect a gently comic adventure in which a boy, a dragon and St George confront expectations about what dragons and heroes should be. The story makes room for poetry, friendship and a staged solution rather than presenting fighting as the only answer.
Andy Shepherd, illustrated by Ellie Snowdon
A gentle magical adventure carries a serious environmental problem: the children must respond as trees are threatened, extreme weather worsens and their village floods. Friendship and changing viewpoints help drive the response.
Dorothy Edwards
A warm sibling-centred collection in which a very young girl’s curiosity and mischief drive comic family episodes. It offers recognisable domestic situations, while some incidents may invite discussion about consequences and other people’s boundaries.
Nicola Davies and Cathy Fisher
A classroom story about meeting difference with empathy: the new girl’s loneliness and strength sit alongside the class’s harsh words, creating space to discuss how people treat one another.
Roald Dahl
Expect a brisk moral fantasy rather than a cosy animal adventure. The story turns outrage about hunting into comic, threatening reversal, asking readers to feel the consequences from the animals’ perspective.
Helen Cresswell
A curious fantasy about Polly Flint’s unusual way of seeing, and her involvement with people caught outside their proper time. Expect mystery, strangeness and an imaginative hidden world.
Trudy Ludwig
This is a gentle school story about feeling unseen, noticing someone on the margins and making room for them. Its central movement is from social isolation towards connection through thoughtful, practical acts.
Michael Rosen, illustrated by David Tazzyman
This is a performance-friendly poetry collection: playful sounds, repeated rhyme, comic images and short narratives offer opportunities to laugh, listen, join in and notice how words work.
John Steptoe
A traditional-style story contrasts two sisters: Manyara behaves harshly while Nyasha treats people and creatures kindly. Their journeys towards a king’s choice turn this contrast into a fable about pride, kindness and consequences.
Robert Swindells
A compact, atmospheric fantasy about courage and devotion, with a clear quest structure. Its cold landscapes and threatening folklore create suspense, while Ivan’s determination gives the story emotional purpose.
Eva Ibbotson
Expect a comic, episodic adventure in which children help gentle yetis seek refuge. The story combines absurd details and rescues with sharper material about captivity, animal cruelty, hunting and threatened communities.
Angela McAllister and Grahame Baker-Smith
This is an atmospheric circus fantasy about curiosity, belief and stepping into the unknown. Its strongest features are theatrical build-up, magical transformations and artwork that makes the mysterious Place Between feel vivid and slightly uncanny.
Tony Bradman
A football team gains a famous new coach, but his very demanding regime tests three friends who mainly want to enjoy playing. The central tension is between ambition, pressure and pleasure.
Andy Stanton
Expect anarchic humour, eccentric characters and exaggerated unpleasantness. The story sets a grotesque villain against a dog and child hero, using suspense and comic reversals while inviting readers to laugh at absurd adult behaviour.
Shirley Hughes
A magical friendship story follows Lewis after he discovers an angel on the roof. The angel’s presence appears to alter relationships around him, while Lewis is drawn towards seeing difference and other people differently.
Aaron Becker
This is a patient, image-led story about civilisation’s growth and decline beside one tree. Its wordlessness makes interpretation central: readers notice inventions, communities and environmental changes, then consider what survives.
Shel Silverstein
This is a compact story about a tree and a boy whose relationship changes as the boy grows and wants more from the tree. Its emotional centre is the tension between affection, generosity and reciprocity.